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 Dear Kennedy Publishing--

The Best of Watermedia Artists, Vol. II (both sets) has arrived, and it was well worth the wait.  I am honored to be in this publication, and thank you for selecting my artwork. Sincerely,
 

Patricia Flynn

 


The books (Best of America Watermedia) arrived and they are beautiful!  Thank you so much.  The color is great and  I'm really pleased with the reproductions of my work and that of my teaching  partner, Lee Baughman, in this volume. We are both thrilled  to have been a part of this collection of American Watermedia and hope to participate in future volumes!  My best,
 

Susan  Cowan

 


I just got my copies of the book (Best of America Watermedia).  It looks beautiful.  Thanks for all of your hard work on it and thanks for including my paintings.  I am amazed at both the variety of art in these books and the constant high standard across all of the different mediums. These books are so exciting and vibrant.  Bravo. Best,

Matt Bialer


Just after I sent the message the postman arrived with a slip to say that they were waiting at the Post Office.  I have since picked them up (BOWW Oil) and they are very beautiful and I am extremely happy with the way that your Company has presented my work.  I will recommend your company to all my artistic friends and I would love to enter again and buy more books next time around!

Thank you!

Warm wishes from Lyndel Thomas, Australia

 

 

Thank you! I love the new 'Best of American Pastel Artists' book. Thank you

for what you are doing to promote artists!!!

Debra K. Richardson

 

Gary Wick will be in the upcoming issue of the "Best of America Pastel Artists Vol. II... If you want to see the diversity in which pastel is used, this issue is a visual experience well worth the time and effort.

From his web site



Evolving Artists
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Robert Clyatt

  • Sculpture

    Sculpture (10)

    Robert Clyatt feels that certain issues keep coming up in his work: What does it mean to be free, and how can we become more free, where do we get stuck? What is the nature of the relationship between an individual and others or with the wider world?

    My work arises as a fusion of formal knowledge -- anatomy, sculptural methods composition, sculptural history and forms -- and an originating intention or idea. But I never feel a work is complete until it has undergone some sort of transformation that is objectively outside my control -- a mystery theater of accident, adventure, grace, construction or just the transformation by fire that happens in a kiln.

    For me a successful sculpture is a magical object, gathering and amplifying whispers from the edges of awareness.


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