The Best of Watermedia Artists, Vol. II (both sets) has arrived, and it was well worth the wait. I am honored to be in this publication, and thank you for selecting my artwork. Sincerely,
Patricia Flynn
The books (Best of America Watermedia) arrived and they are beautiful! Thank you so much. The color is great and I'm really pleased with the reproductions of my work and that of my teaching partner, Lee Baughman, in this volume. We are both thrilled to have been a part of this collection of American Watermedia and hope to participate in future volumes! My best,
Susan Cowan
I just got my copies of the book (Best of America Watermedia). It looks beautiful. Thanks for all of your hard work on it and thanks for including my paintings. I am amazed at both the variety of art in these books and the constant high standard across all of the different mediums. These books are so exciting and vibrant. Bravo. Best,
Matt Bialer
Just after I sent the message the postman arrived with a slip to say that they were waiting at the Post Office. I have since picked them up (BOWW Oil) and they are very beautiful and I am extremely happy with the way that your Company has presented my work. I will recommend your company to all my artistic friends and I would love to enter again and buy more books next time around!
Thank you!
Warm wishes from Lyndel Thomas, Australia
Thank you! I love the new 'Best of American Pastel Artists' book. Thank you
for what you are doing to promote artists!!!
Debra K. Richardson
Gary Wickwill be in the upcoming issue of the "Best of America Pastel Artists Vol. II... If you want to see the diversity in which pastel is used, this issue is a visual experience well worth the time and effort.
My current series of photo-based work originates from photographs I have taken on city streets in New York, Chicago, Seattle, San Francisco and in public spaces such as Grand Central Station. I am expanding and shifting the parameters of traditional photography by combining it with digital technology, oil painting, narrative text, and resin. By blending the distinctions between these areas, it enables me to push beyond their conventional boundaries to create a new format.
I was born and raised in Chicago, so my work is informed by city life and the multitude of issues we encounter living in a large city: loneliness and alienation in our fast-paced society, the concept of personal identity and the loss of it, the individual as part of the crowd, the passage of time, and finding our own unique voice.
Around 2000 I began writing text over some of the people in my photos in an attempt to personalize or individualize them, and make them stand out from “a sea of sameness”. These brief stories about the figures are from my imagination, based solely on their appearance or stance. By using written narrative in my work, it creates a public/private dichotomy, giving the viewer an opportunity to “experience” the artwork. One can become a part of the process by reading it, rather than simply looking at an object from a distance, creating a greater impact and duration in its effect on the viewer.